6 Via San Sisto
Milano
Lombardia
20123
IT
This is a very original type of museum: it displays the works of the sculptor Francesco Messina. It is something new on the order of museums because here we find a museum-studio where Messina exhibits but also works, produces, creates, plans and lives his intense life as an artist.
Francesco Messina reigns in “his” museum-studio located in one of the picturesque central districts where the city of Milan is most full of tradition. An adherent to the school of Realism, here he has become one of the most famous sculptors About eighty of his works are displayed in the former San Sisto Church.
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Palazzo Durini’s story begins with the Durini family, an aristocratic lineage with deep roots in Milan’s social and political fabric. The family’s prominence can be traced […]
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The rather plain façade of this 15th century mansion is interesting for its Gothic entrance. Its pointed arch is accented with two colors of cut stone and by three marble borders decorated w[…]
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When visiting Milan, you may stumble upon an ancient relic that stands as a testament to the city’s rich history: the Colonne di San Lorenzo. This article will take you on a journey th[…]
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Traces of Roman and Paleo-Christian architecture are still clearly recognizable in the structure of this church located on Corso di Porta Ticinese. The square in front of the church is domin[…]
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It has been remodeled many times since its founding in 1030; the faÇade however, has been restored to its primitive Lombard style. A vast crypt, that extends the length of the church, is use[…]
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Founded bv Cardinal Federico Borromeo in 1609 and built by Fabio Mangone and Francesco Maria Richini, the Ambrosian Library is one of the most remarkable demonstrations of the great Federico[…]
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This Basilica, which stands in the square bearing the same name, reflects sixteen centuries of history. It is the queen and mother of Lombard churches. This Paleo-Christian building was star[…]
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This church stands on Via Torino close to the Piazza del Duomo. The original building was erected at the time of Archishop Ansperto (10th century). Of this, only the chapel (Cappella della P[…]
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The church is at 15 Corso Magenta. It was consecrated in 1519. It belonged to a convent of Benedictine nuns called “Maggiore” because it was the largest and most important in the[…]
Also known as “Palazzo Arese”, it was enlarged by the Litta family in 1700. The architect B.Bolla was commissioned to work over Richini’s original construction (1648). It i[…]
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The Loggia of the Osii was built by Matteo Visconti in 1316. It was restored in 1904 and the deformations of the XVIIth. and XVIIIth. centuries were removed. The façade, with two superimpose[…]
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Between the Piazza Mercanti and Via Mercanti – just west of the Duomo – there is a group of buildings that splendidy illustrates the development of Milanese architecture from the[…]
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This magnificent square is said to be the minor of Milan and the Milanese. In fact its citizens pour in and out of it at every hour of the day; whether it is ablaze with sun-light or full of[…]
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This splendid palace, built in the early decades of the 18th century contains a magnificent gallery of tapestries and a famous fresco painted by Giambattista Tiepolo about 1740, “The Chariot[…]
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This church is, after St. Ambrogio, the most noteworthy medieval Milanese edifice. It rises in the square of same name in the modestly picturesque neighborhood of Porta Ticinese. It was star[…]
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The palace stands in the rectangular square on the southern side of the cathedral; it is a wide building with a Neoclassical front and two lateral wings. It is of ancient origin and during i[…]
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There are two Andalusian style balconies and a portal with granite doorposts. Its style is typical of the 17th century It has well preserved architectural frescos in perspective on the groun[…]
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The famous Galleria connects the plaza of the Cathedral to the Piazza della Scala. Building began in 1865 under the direction of Giuseppe Mengoni who died in 1877 after falling from the scaf[…]
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The cathedral was started in 1386. It is a magnificent example of a very special interpretation of Gothic architecture by the Lombards. It rises like a huge mountain of marble but richly orn[…]
